October 25, 2009
Available once again on “Neats: 1981-84 The Ace of Hearts Years,” Ace of Hearts Records.
October 23, 2009
Appletown Gun Shop have a new 5-song ep out, called “Ghosts of Green.”
Excellent mix of rock, folk, psychedelic, and blues — a little bit of everything’s in there, it seems.
Kind of like Califone, but maybe even better.
Like the title and the picture on the cover say: perfect songs for the fall.
Listen to two of the best tracks, “Orange Leaves” and “Dirty Days” on the band’s Myspace page.
October 22, 2009
Bradford Cox is kind of turning into the Picasso of our time: everything the guy does turns out to be a masterpiece. No less than three full-length cds last year: Deerhunter’s “Microcastle” and “Weird Era Cont.” and Atlas Sound’s “Let the Blind Lead Those Who Can See But Cannot Feel.” Then the Deerhunter “Rainwater Cassette Exchange” ep from earlier this year. And now “Logos,” probably the greatest of them all.
One thing I’ve always admired by Cox is how he makes no attempt to hide his love and enthusiasm for the work of other artists; another, related to the first, is how he lets diverse influences creep into his own work. On “Logos,” he takes these admirable tendencies to their logical conclusion through full-fledged collaborations with Noah Lennox of Animal Collective and Laetitia Sadier of Stereolab. But, while “Walkabout” does sound like an Animal Collective song and while “Quick Canal” does sound like something from Stereolab, it’s also true to say that both of those tracks sound even more like they belong here, on an Atlas Sound record, proving that Cox can do what few others can: giving others the space to make their own unique contributions, while somehow incorporating those contributions into something identifiably his own.
In a widely-quoted letter from last July, Cox claimed that “Logos” is “not about me … the lyrics are not autobiographical.” What, then is this all about? Well, if we accept that the album’s title has some special significance, then it somehow pays homage to the presence of order and reason in the universe — and maybe even in human actions as well. An audacious stance to make, at a time when order and reason seem sorely lacking. But Bradford Cox has earned the right, by creating an album this good.
October 20, 2009
Beat on my Fender through my Gemini two/Play to the posters on the wall of my room/Thought I was crazy when I’d think about you/And the bells in my ears keep ringing
October 19, 2009
Hallelujah the Hills have a new lp out, called “Colonial Drones.” It’s their second full-length, following “Collective Psychosis Begone” from 2007 and the “Prepare to Qualify” ep from last year (which, by the way, you can still download for free, making it without a doubt the biggest and best bargain in all of Boston rock, 2008).
No real surprises, here, stylistically speaking. Still the same great rock and roll, lots of instruments going at once, sing-along/shout-along vocals, intelligent and often funny lyrics. Same as on the previous releases. But this new release is the band’s best yet, precisely because of its consistency: 13 tracks, running for nearly an hour, all of them really good, quite a few of them really great.
And, guess what? You can download two of the best, “Blank Passports” and “Classic Tapes,” for free, right from the band’s website.
October 13, 2009
Neats – 1981-84 The Ace of Hearts Years. This cd compilation collects everything or at least almost everything the band recorded from 1981 through 1984. That includes “Six,” a 7″ released by Propeller Records in 1981, “The Monkey’s Head in the Corner of the Room” ep put out on Ace of Hearts Records in 1982, the self-titled lp also released by Ace of Hearts in 1983, and some additional recordings done at Radiobeat Studios in 1984.
The 1981-84 period is important, as far as the Neats are concerned, for a couple of related reasons.
One reason is that the Neats released a two more albums in the late 1980s that were quite different in style to the recordings featured here. Nothing really against those later releases, but in my opinion the work featured here is by far the band’s best. Thanks to the DIY Mass Ave Boston Scene (1975-83) collection, it’s always been easy to hear how great “Six” is, but when you load up this cd and on comes track 1, “Red and Grey,” you immediately remember why that “Monkey’s Head” record tied for 4th place in the Village Voice’s Pazz & Jop listings for the best eps of 1982.
Another reason is that by hearing all of these songs together on one cd, you can really see how the band helped bridge the gap between late-1970s/early-1980s new wave, “Six” being the best example of that type of thing, and early-to-mid-1980s jangling-guitar indie rock a la “Red and Grey.” As again those Village Voice poll results make clear, the Neats were part of the same stylistic milieu that gave us REM, the Feelies, and the Dream Syndicate. Note, in particular, that “Chronic Town” places just two small notches above “Monkey’s Head,” and remember that, though again I have nothing against their later work, “Chronic Town” still stands as the best thing that REM ever did (and if you don’t remember that then go put it on and see for yourself).
The point is that the Neats were right up there, and more than anything else this cd drives home that, as awesome as singles like “Six” and “Caraboo” were and still are, that ep from 1982 and the lp that followed were chock full of consistently great stuff.
Fans of Boston rock will always be indebted to the Neats for the wonderful songs and the memories that go along with them. And, once again, we’re indebted to Rick Harte of Ace of Hearts records, for bringing it to us the first time and bringing it back to us again today.